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Affrilachian poet takes a different look at history PDF Print E-mail
Written by Brian Rich -Argonaut   
Tuesday, 28 February 2006
Affrilachian is not a nation of people with big hair, a country in Africa that flies under the radar or a new rap group. It’s a word coined by Frank X Walker for people of African descent living in the Appalachian region.

Aside from the practice of inventing words, Walker has a more serious agenda ahead of him: to accurately revise history books and set a precedent for black poets in the predominantly white region of the Appalachian Mountains.
Photo from story
Courtesy photo Poet Frank X Walker will speak at 7:30 p.m. Wednesday in the UI College of Law Courtroom.

Walker, who will speak at 7:30 p.m. Wednesday in the University of Idaho College of Law Courtroom, has written three books of poetry since 2000. His latest collection of 68 poems is titled “Black Box” and is a continuation of his first book, “Affrilachian,” a series of autobiographical poems about life in the Appalachian region.

His second book, a significant departure from autobiographical poems, is titled “Buffalo Dance: The Journey of York,” about York, the personal slave of William Clark during the Lewis and Clark expedition. Walker has gotten much acclaim for this book, which tackles York’s personal life, all the way down to his girlfriend, through poems.

“I don’t think just anybody could do this, and I don’t think any African-American man could do this,” said UI English instructor Robert Wrigley. “It takes a poet of extraordinary skills. You put those things together and you find someone capable of making someone speak from 200 years in the past, and he managed to do that.”
Walker said he chose to relive York’s life because the history books have told us something that he believes isn’t completely accurate.

“I wanted to offer a different point of view that would show the other side of the coin, and challenge the largely thought notions of (Lewis and Clark’s) impact on North America and people of color in the context of history,” he said.
After Walker’s UI visit, he will speak to a high school in Lapwai, which has a significant Nez Perce population. Walker said York’s girlfriend was Nez Perce, though the information is secondhand.

“From my understanding, there was a generally respected relationship with one woman, and that relationship produced children, and those children are still in the tribe,” he said.

Kim Barnes, a UI English instructor who read poetry with Walker in Bend, Ore., last year, said Walker’s attempt to embody York is incredibly risky, but successful.
“Whenever you choose to take on a persona, and then on top of that to take on a historical persona, you choose, in a way, to enter into that person’s psyche, his emotional state,” Barnes said.

She said Walker touches not only on York’s persona, but also his cultural and social identity. Walker engages in an exchange of identity with York, she said, in an attempt to capture his life better.

“I think Frank succeeds phenomenally. There’s a transcendence that has to happen with time and place. Those poems aren’t just about York or history or race. They’re about Frank X Walker.”

Walker inserted the “X” in his name about 25 years ago, he said, as a sign that he is looking for his real name.

“It’s based on attempting to search for your original African name and having a difficult time finding it because of the record-keeping during slavery,” he said. “On the search, people use the ‘X’ in their name to show they’re searching for their real name.”

Walker said it’s the same reason Malcolm X, who later changed his name to El-Hajj Malik El-Shabazz, used the letter “X” in his name. Walker said many blacks during slavery were given white names, while their real names were forgotten.

Jan Johnson, UI assistant professor of English and American Indian studies, said Walker isn’t just a poet; he’s an activist and a public intellectual.
“He’s a poet, but he’s also committed to activism. He’s someone who’s both an academic and an activist. He’s committed to challenging the idea that all Appalachian people are white. He’s making people of color visible in that region.”

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